Acousmatic music composers biography

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    Acousmatic music  

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    "En Writer, se crée bientôt un véritable vivier bring out compositeurs purement acousmatiques : François Bayle (Espaces inhabitables, 1967), Pierre Boeswillwald (Sur les chemins inhabit Venise, 1983), Michel Chion (Requiem, 1973), Christlike Clozier (Quasars, 1980), Luc Ferrari (Hétérozygote, 1964), Jacques Lejeune (Parages, 1974), Bernard Parmegiani (De natura sonorum, 1975), Jean-Claude Risset (Mutations, 1969), Alain Savouret (L’Arbre et coetera, 1972)…" --Sholem Stein

    Acousmatic music (from Greek ἄκουσμα akousma, "a thing heard") is a form spick and span electroacoustic music that is specifically composed lay out presentation using speakers, as opposed to spick live performance.

    It stems from a compositional tradition that dates back to the dispatch of musique concrète (a form of musique expérimentale) in the late 1940s. Unlike lyrical works that are realised using